Lawrence wrote:I like the magazine but have been some what disappointed to see yet another issue with a cover related to 'whisky and rock and roll'. There's been enough of this subject already this year as well as enough of motor cycles and whisky.
It's almost as if it's an attempt to appeal to older males recalling their youth. Whisky and rock and roll has very little appeal to me, I'm looking for actual whisky articles not what KC Tunstal drinks, who cares?
Perhaps it's an attempt to reach a wider demographic but I think that it merely opens the door for a competitor to slip in and establish a magazine really devoted to whisky.
Mr Tattie Heid wrote:Rock'n'rollers seem to be stuck on JD. I'd be much more interested to know what classical musicians drink. Probably not much.

Mr Tattie Heid wrote:And what do they drink?

Frodo wrote:You know, It's clear to me that WM will not allow articles asking pointed questions to the producers in a manner that demands accountability - I think this is an editorial decision.
Exciseman wrote:Rob
There is just masses of potential copy out there. Fresh innovative and in-depth articles on distilleries, industry figures, upcoming events, retail outlets, new bottlings, etc.
Tim
roballanson wrote:Exciseman wrote:Rob
There is just masses of potential copy out there. Fresh innovative and in-depth articles on distilleries, industry figures, upcoming events, retail outlets, new bottlings, etc.
Tim
OK well here's a thing. I am in the middle of planning the mags for next year so, if you have the time and fancy it, why not suggest three features you would like to see and I will throw them into the editorial pot and possibly commission them.

Peter Currie wrote:Hi Rob,
my suggestions for future articles are
1/ Maritime Notes - truth or fiction?
2/ Bottle ageing/oxidation - truth or fiction?
3/ Non-chillfiltering/ E150 - does it matter?
and most importantly
4/ Who is Chewy/Leather/Tobacco?![]()
cheers
Pete
Peter Currie wrote:and most importantly
4/ Who is Chewy/Leather/Tobacco?![]()
cheers
Pete

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